Reviews

 
 

DanceBeat - March 16, 2012



 
Reviewed by DEBORAH JOWITT
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TDF Stages- March 1, 2012

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NYC-Arts- February 28, 2012

Top Five Pick
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Manhattan User's Guide- February 16, 2012


                    
 

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The Huffington Post - February 15, 2012

Preview article and photo slide show

 


The New York Times - June 3, 2011


Feature Article in Arts & Leisure by Daniel J. Wakin

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OFFOFFOFF - June 16, 2011



 
"...a charming and fresh L'histoire du soldat."

Reviewed by QUINN BATSON


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Eye on Dance - June 13, 2011

Reviewed by JUDITH PEARLMAN

 
 

 

The Huffington Post - May 30, 2011


Preview article and photo slide show

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TheaterMania.com - May 19, 2011



 
Preview article by Dan Bacalzo

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The Village Voice- March 16, 2010

Reviewed by DEBORAH JOWITT

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OFFOFFOFF- March 15, 2010




 

"...the best 20th anniversary show I've seen."
Reviewed by QUINN BATSON

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The Dance Enthusiast - March 11, 2010

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The New York Times - March 10, 2010

Interviewed by JULIE BLOOM

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The Village Voice - March 10, 2010

Previewed by ANGELA ASHMAN


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SundayArts - March 7, 2010


 
Watch the Clip 

Infinite Body - January, 2010


Interviewed by Eva Yaa Asantewaa

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Infinite Body - August, 2009


Reviewed by Eva Yaa Asantewaa

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NYTheatre.com - August, 2009



Reviewed by Kelly Aliano

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THE NEWS & OBSERVER - June, 2009


Reviewed by Roy C. Dicks

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DANCE MAGAZINE (Web only)
February, 2009


Reviewed by SUSAN YUNG,

Her dances are fun, funny...humor that is oddly rare in dance.

Oberfelder makes work that reflects the moment.

Approaching Climax finds more than one meaning in a phrase at a time when pretty much everyone feels duped by promises and rhetoric.


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IDANZ - February 15, 2009


Reviewed by JULIE FOTHERINGHAM,

a visual feast

Jody Oberfelder proves that it's possible to be both fun and intelligent. It's feel-good dance which makes you feel good, and think a little too.

The commentary consists of clever statements and observations applying the dramatic structure, as in literature, to the dance. They joke about the viewer's frustration with abstract dance and their futile effort to follow a linear plot when there is none. The title is reflected throughout the piece with references to a dramatic climax, along with its secondary meaning through hints of sexuality. The human pyramids take on a kamasutra nature, and comically cliché sexy moves are hidden within the modern dance vocabulary.
 

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OFFOFFOFF - February 19, 2009


Reviewed by QUINN BATSON,

Oberfelder's choreography is sweet and playful, colorful and funny

Hidden in the easy charm and broad humor are plenty of tricky partnerings and physically demanding moves, too, in configurations only Oberfelder could think of


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The New York Times - February 16, 2009


Reviewed by CLAUDIA LAROCCO,

Jody Oberfelder is a compact, feisty powerhouse, at home in aggressive, acrobatic dances that delight in roughhousing, broad humor and hard landings.

APPROACHING CLIMAX "A string of verbal and visual puns...these moments were amusing and the dancers charming."


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The New York Times - March 22, 2008


Reviewed by ROSLYN SULCAS,
...Ms. Oberfelder's delightful production deserves to be seen more widely. She gives the classic story a contemporary twist by reincarnating Aeneas and Dido as a modern celebrity couple parted by the current incarnation of divine forces: the media and business interests....
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Thirteen.org - March 28, 2008


Reviewed by Jennifer Melick

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The New York Times - June 15, 2007


Reviewed by JENNIFER DUNNING,
Jody Oberfelder's new piece, “The Title Comes Last,” establishes her as one of the funniest modern-dance choreographers in New York....
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Infinite Body - June 15, 2007


Reviewed by Eva Yaa Asantewaa,
Jody Oberfelder is one of dance's irrepressible forces–elfin in physique yet strong and secure, bursting with energy and humor.
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The Times Union - January 11, 2007


Reviewed by TRESCA WEINSTEIN,
Oberfelder has created a body of work that draws from the stories of her life -- and life in general -- making art out of rites of passage and everyday encounters...
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Dance Magazine - February 2006


Reviewed by Carrie Stern
Three figures stand on their heads in dim light. Slowly, straight legs lower. Bending at the hips, bare-chested dancers in scrunchy, skinlike costumes unfold into the “worm,” break-dancers in primordial ooze... 
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The Village Voice - December 22, 2005


Reviewed by Deborah Jowitt
here she is a small, robust, radiant athlete chalking groups of five lines plus two on the stage...
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The Village Voice - February 13, 2004


Reviewed by Tobi Tobias
Her new Landmarks of Dreams exudes a humanism rooted in reality...
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The Village Voice - February 6, 2002


Reviewed by Deborah Jowitt
The brothers Grimm might be taken aback by Jody Oberfelder, who approaches their fairy tales with gutsy wit and a vocabulary derived in part from acrobatics...
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New York Times - January 22, 2002


Reviewed by Jennifer Dunning
Is it possible to tell a fairy tale in a nonlinear yet evocative way? Jody Oberfelder comes close in "The Story Thus Far," which Jody Oberfelder Dance Projects performed on Saturday night...
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Nightline: Brave New World winner of 2 Emmys in 2000: Best Direction, Best Art Direction

CNN - September 7, 2000



NEW YORK (AP) -- ABC took top honors in the annual News and Documentary Emmy Awards, earning 11 awards and easily outdistancing CBS and NBC....
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